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I am a quilter living in Woodbridge, Suffolk who has made quilts since I was a teenager. I also ring bells! Both are great British traditions....I will try to feature some of my antique Welsh and Durham quilts, the quilts I make myself, my quilting activities and also some of my bellringing achievements. Plus as many photos as I can manage. NB: Double click on the photos to see greater detail, then use back button to return to the main page.

Monday, 22 January 2018

Progress report - January 2018

I was able to achieve quite a lot over the holiday period in December ( my firm takes a long break over Christmas). One task was to baste my red and white Sanderson Star, ready for hand quilting. I  had used a feint mechanical pencil to mark in the light areas and a water erasable blue marker for the red areas.

Just to check that the blue will actually come out! It does....
I have traced the quilting designs from an antique "stamped" quilt top, so the markings are as close to the original as I could get...

I have bought two oak thread holders from Ebay - and these not only look good, but save a lot of time. It is easy to snip off new lengths of thread when I need them.

And the progress on the Sanderson Star is good - the centre and the first border complete. The stamper did not mark the twist completely - I will have to decide whether to go for one central line (as suggested in one or two of them) or go for three strands (ie two extra lines of quilting). I will look at other examples to see what was standard for this design and then do the same. I don't have to decide right away.
I also wanted to set up two more Hawaiian applique quilts. Cutting and then unfolding and basting the applique is always a difficult job. But, I had bought suitable extra wide fabric at the FOQ for the applique fabric and backing. This design is dark blue on a mid blue background fabric. There will be some reverse applique to do, but I will mark that in later, using the original pattern.

And here is a green print batik on a natural back ground, I do hope that the batik behaves itself!! This pattern is called Kiku Nut. Both of the patterns seen here are from the traditonal range at Poakalani in Hawaii.

This should keep me busy for a while...

Monday, 15 January 2018

Kit Rose Quilt - American

This quilt was bought inexpensively online. I am not usually interested in American quilts, but this one caught my eye...

It is a kit quilt, but completed in an expert way and nicely quilted.
There are also some embroidered details, such as the leaf veins...

There is an American site concerning kit quilts, but there is, rightly, a joining fee. I could not afford this just to research one quilt......but it would be interesting to know which company produced this quilt pattern and what it is called....does anyone know?

The quilt is a cheerful one...

.....and involved a lot of work for the maker - it was obviously a treasured quilt. As with so many of my quilts, it would be lovely to magicly know the story behind this one.

Friday, 8 December 2017

Purple and White Durham Quilt

Here is a nicely quilted whole cloth, in white and purple cotton sateen.

There is a large circular "coin", which resembles the Weardale quilts.

Many of the other motifs are border or strip quilt designs - running feather ......the outer border is of running feather with daisies.

There are large feathers and daisies to be seen, too. These patterns were popular because they were showy but did not involve much close quilting - they covered the fabric well.

The reverse is a white cotton sateen - the edge is hand sewn, which is slightly unusual for Durham quilts - more often they are machine sewn.

As you can see, the patterns are all hand drawn and not very exact. I rather like the wonkiness.....

This is the "bellows" pattern.

All in all, a nice quilt, very colourful and well worked. Unfortunately, no further information about this quilt, which is probably from the 1930's.

Monday, 4 December 2017

Strip Quilt Tree of Life in Pink and White

Here is a very worn quilt....still, with the lovely quilting designs visible. The cotton sateen has worn well. The design is essentially a strip quilt, with trangles of cloth to add to the interest of the design.

The light catches the cloth, for some reason....


The quilting designs are a twist, and also a scroll with roses and swirls pattern. This was a common pattern with quilt designers, so this may have been a "stamped" quilt...

There is a binding, which may indicate a repair...

The reverse is a pink cotton sateen.

There is no provenance on this quilt, but it is North Country.

I do like the Scroll and Vine pattern, very nice, flowing pattern.

Monday, 27 November 2017

North Country Wholecloth in Pink and Yellow

Here is another stamped (marked) North Country whole cloth. The patterns are not as elaborate as some.

The centre motif....

The corner motif has long, curving feathers...

The swags are topped with small flowers, a later motif.

The reverse of the quilt is a pink sateen.

These quilts were marked by quilt designers. The early ones can be very elaborate, but the later ones become rather simplified. Post war, some of the quilts are very poorly marked and have very simple and sometimes clumsy designs.

The colours are much nicer than they appear in these photos - the quilt size is 79 x 90". As you may know, earlier quilts tend to be square whereas later quilts (post 1930s) are rectangular as the beds changed size and were standardised at about that time.

Monday, 20 November 2017

BQSG Seminar - Harris Museum Visit, October 2017

Our BQSG seminar took place in Preston this year, with the museum visit being the Harris Museum in Preston.

The museum has received various items of textiles, always with a local connection...the maker of this quilt must have had access to a variety of ribbons, as there are practically no repeats to be seen...

An appliqued item, perhaps a table cover, well used but expertly made....

This was similar to a soldiers quilt,and has the words Leisure Hours at the top. But the motifs have a distictly naval or maritime flavour. So perhaps sailors made this in their spare hours, or in a hospital while recuperating?

The patches are oversewn from the back, similar to soldiers quilts.

All of the squares are nicely embroidered. Most of the items have scant information for the provenance.

A padded petticoat in Turkey Red cloth...

A detail of the cloth...
The label - Booth and Fox's down skirt..

A bonnet, typical of the mill girls bonnets from the latter part of the 19th Century... very nicely made...

A lovely baby's bonnet....

Small baby's booties, quilted....

Tea cosy in needlepoint...

All the items shown to us were donated to the museum by local people. Many do not have any provenance, however.....

Sunday, 12 November 2017

North Country Cot Quilt with Page Bank Pattern

Here is a little North Country cot quilt, from the 1920's or 30's. It is very nicely quilted, and is of better quality than those usually seen.

The cot quilt is made of cotton sateen; the top is a green/blue and the reverse is white.

I traced the design onto polythene - twice - once for the publishers, but this was not returned to me - so I have traced it a second time. Fortunately, these small quilts do not take as long to trace as the larger quilts. This central design with paired feathers is the classic "Page Bank Feathers" - typical of the quilters in and around one small Durham mining village. The design is also known as "Festoon Feathers". You can see that there are two feathers with a distinct vein.

Also to be seen, a plant in a pot - very similar to a motif used in the commissioned RIB quilt made by Mrs Pirt and now in the V & A Museum.

This pattern is known as Sheaf of Corn.

Notice how the corner has been turned - with a separate rose motif. Also, how the twist has a diamond in its centre....

The original pattern does not divide nicely into four quarters, and the Thames and Hudson editors were presented with a problem, how to fit the quilt pattern onto a small page of a book. To present templates or, as some part of the design? This .pdf shows  how the designer modified the quilt pattern so that the quarters are all the same. You can see the central feathers, the central rose, the twists and the smaller motifs have been changed from the original designs so that there is four-fold symmetry.

However, this is what appeared in the book - not a complete pattern! the central paired feathers, especially, are not complete.

When I make the pattern, it will probably need to be one half the design.....and I hope that it fits onto one A3 photocopy page!